| Review: Michael Horovitz and Barkingside
– The Bateman Auditorium, Gonville and Caius, Cambridge
26 Sept 2006 |
When
two PhD students at University of Cambridge discovered they were researching
the same subject, the London Underground, they got together to
discuss their findings. Two views emerged: one Spatial, another
Beats and Counter Culture. Result: a one-day conference and
evening celebration in the company of London-based poet Michael
Horovitz and the London jazz quartet, Barkingside.
Since originating his publication New Departures in Oxford in
1959 Horovitz has carved a niche for his outstanding onomatopoeic odes,
creating wordscapes and wordsounds that nimbly dump, bump and jump you
through his underworld.
Barkingside, a group specialising in free improvisation, started
the evening. Dom Lash, on double bass, pulled at a string
coyly, giving the audience cause for a sighing smile. With a wizard’s
touch pianist Alex Hawkins took up the theme; then all
four became a sound that ebbed and flowed from Alex Ward
on clarinet, to Paul May on percussion, and round again.
Five minutes into the performance, images of London’s urban underworld
flowed above their heads. Oblivious, they shaped the music to the
images to make an eerie woven blur between sound and vision.
Then Horovitz joined for an autumnal poem, The Ghost of Summer,
sounding the lines in tones that rose and fell in tune with Barkingside.
Interjecting his wordsound falsetto with a horn he forced the musicians
to rise to the beat like hounds on a scent, rushing through the urban
underworld to the kill.
The apt décor suggested any old London tube station, with music
and poetry busking in the tunnels way off to the side. The evening captured
in performance the day’s findings, creating an evocation of a London
sub-culture rarely witnessed in Cambridge.
A critic's zest for a novel and eclectic approach to the performance
arts was just about satisfied. The talent of poet and musicians is not
in question – but even in the world of freely improvised music an
audience can sense the impediment of little or no rehearsal.
Writer: Anne L Ryan
Illustration : Michael Horovitz by David Hockney (from
the cover of Horovitz's Wordsounds & Sightlines)
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